top of page
Search

An insight into Carpenters Legacy and what goes into making the show a success

Writer: Carpenters Legacy
Carpenters Legacy
Sep 6
3 min read

BestofLasVegas.com, by Carol Currie & Emma Davis, March 14, 2023



Some productions on the Las Vegas strip are more extravagant than others and need large crews. However, there are a few that are small enough to only need a few people to make the show successful.


Without a large and sometimes cumbersome crew, performers are freed to take matters into their own hands and do it all themselves. Such is the case for Carpenters Legacy.


What initially started as a one-off production eight years ago, Carpenters Legacy has grown to be a fan favorite among tourists and locals alike. The show combines the style of a music concert as well as a musical theater production. It is entirely scripted, almost verbatim, to the Carpenters 1976 live United Kingdom performance, and features many of the brother-sister duo’s greatest hits (with some comedic fun thrown in), including “Close to You,” “Yesterday Once More,” Superstar,” “Rainy Days and Mondays,” and the number most audiences long to hear, “We’ve Only Just Begun.”


Musical Director Ned Mills, along with his counterpart and artistic director, Sally Olson wear many hats for the show, one of which is being the lead performers portraying Karen and Richard Carpenter.


Both Mills and Olson have studied all aspects of the legendary duo who grew up in Southern California (Downey), including their mannerisms, the way they sang, and how they looked.


“We try to make the show as authentic as possible to give the audience as close to the real performance as we can,” Mills said.


In addition, Sally and Ned are responsible for their authentic-looking costumes, their props, music arrangements, stage management, and even some technical-department work, too (they do have a few others on hand just in case).


Sally and Ned’s hairstyles and makeup truly recapture the look of Karen and Richard in the UK during the 1976 performance. Conveniently enough, it doesn’t take much for either to achieve the look due to the simplicity of the styles back then. It doesn’t hurt that the pair naturally resemble the brother-sister duo.


 “There are no wigs involved and the makeup is simple, all I do is wear hot rollers in my hair to get Karen’s ‘70s-style hair,” Olson said. “I also wear brown contacts (lenses) to match her eye color to complete her look and add to the authenticity of the overall look of the show.” 

Sally and Ned also had custom costumes made by Las Vegas seamstress, Jody Arnold, with exact detailing like the original garments the duo wore on stage.


Ned, a trained pianist since age four, creates the musical arrangements to match the line-up of the original show with the classic songs that give the audience a nostalgic and emotional experience during the 75-minute performance that is open to all ages.


At the opening of the show, Ned plays “Flat Baroque,” one of Richard Carpenter’s well-known piano pieces, on a lightweight baby grand piano that he designed himself. Halfway through the show, Sally performs an energetic drum feature just as Karen did in 1976. Additionally, Sally creates and assists with the visuals presented during the performance, including an emotional photo montage at the end of the show where photos of the Carpenters over the years are shown, in addition to photos of Sally and Ned.


Although the “mom and pop shop” of Las Vegas productions may not have an extended team of individuals, it has one that makes a significant impact. With their many roles in the show, Sally and Ned just want to pay a true tribute to a group that has inspired them and show the legacy of one of the most beloved pop duos in music history.


“We just want to play, and we hope we can continue to do that for as long as we can,” said Ned.

Visitors and locals can see the duo in their residency at The Modern Showrooms at the Alexis Park Resort Hotel. For more information about Carpenters Legacy, go to carpenterslegacy.com.

 
 
 

Comments


bottom of page